AN important contribution which explores the integration of the Oral Tradition of African writing within the New and Contemporary Expressions.
In this volume scholars have strived to adopt innovative and multilayered
perspectives on orality and its manifestations on contemporary African and
new literatures.
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African scholars' commitment in the study in Oral Traditions is borne from the awareness that African verbal arts still survive in works of discerning writers, in the conscious exploration of tropes, perspectives, philosophy and consciousness, its complementary realism and ontology for the delineation of authentic African response to memory, history and all possible confrontations with existence such as witnessed in recent analyses of the African novel.
Journal of African Literature and Culture No. 6. Charles SMITH (Ed) IRCALC, 2009
192 p.
ISBN: 9-789-7836-0353-0 Cover Design: Michael Randall
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CONTENTS
Author |
Title |
Pages |
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Editor |
Oral Traditions of African Writing
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7-8 |
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A. WRITERS' FORUM
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Chin Ce |
Happily After: Re-visioning African Writing Argues, for African writing, new directions that incorporate truly original perspectives which pride in knowing the past, interpreting the present and exploring the future from fidelity to African cultural endowments, rational vigour and sense of positive destiny.
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11-28 |
Full Text |
B. ORAL TRADITIONS
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'Dele Bamidele |
Aesthetic Transfer in Chinua Achebe's Things Fall Apart
A close reading of Achebe's Things Fall Apart showing the tremendous flow of traffic from oral traditional aesthetics to the written tradition in modern African fiction.
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31-48 |
Full Text |
Jen Westmoreland Bouchard |
Portrait of a Contemporary Griot: Orality in the Films and Novels of Ousmane Semb�ne
This study explores an aspect of profound interest in Semb�ne's work being the role of the griot in contemporary West African story telling.
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49-67 | |
Ogaga Okuyade |
Oral Collage and Multidimensional Perspectives in the Novels of Chin Ce, Phaswane Mpe and Biyi Bandele-Thomas
This paper deeply investigates three African writers who weave together science fiction and mysticism, history and myth, truth and fiction, philosophy and literature in the conflicts of mankind and cosmos.
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69-104 |
Full Text |
M�doune Gu�ye |
African Mythic Context and Postmodern Philosophy in Aminata Sow Fall's Le Jujubier du patriarche
The essay shows how Fall�s work transposes one genre, which is tied to the African oral tradition, into another which emerges from the Western literary tradition.
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105-120
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Full Text
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Oluwole Coker and Adesina Coker |
Indigenous Legal Regimes in Chinua Achebe's Things Fall Apart and Arrow of God
An attempt to locate the two novels of the Nigerian writer within a new constituency of indigenous epistemology as it relates to law and the administration of justice in the universe of the novels.
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121-136 |
Full Text |
C. PERSPECTIVE
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Ngozi O. Iloh |
Trajectoire des Ndoumbas dans les Romans D�Henri Lopes
This paper examines Lopes� portraiture of free, liberated and sophisticated African womanhood through the trajectories of ndoumba women in his novel.
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139-174 |
Full Text |
Jonathan Fitzgerald |
New Kenyan Writers: The Narratives of Binyavanga Wainaina and Yvonne Owuor
This presentation showcases the work of two Kenyans who write with clarity of purpose learned from studying their forbears, as well as an audacity that comes from an understanding of their unique place in the world.
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175-187 |
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